>  Wie Belfagor über die Alpen kam... (How Belfagor crossed the Alps...) >  Wie Belfagor über die Alpen kam... (How Belfagor crossed the Alps...)
Spaces Spaces
> Gebärmaschinen > Gebärmaschinen
26 - 27 September 2020

> Triple A

Theatrical performance within the framework of Unruly Ghosts Antipasti
Theater HochX, Munich, Germany

Triple A is a theatrical performance that was shown as part of Unruly Ghosts Antipasti at Theater HochX, with Paul Hentze and Viviane Podlich as human strengths and Phoebe Lesch as a necromancer.

A character, Triple A, is assembled, accompanied by fragments of sound and song. Two puppeteers alias human strengths move her. Triple A enters into dialogue with the necromancer. Is she a sculpture? A battery? An AI? She wants to assist with everything and absorbs everything humans have ever devised - indeed, nature itself. The apple of knowledge becomes a snack for the strengths of man, and Triple A's eye is a globe. When the necromancer is also to be converted into a human strength, a battle begins... at the end of the performance Triple A's Eyeball is watching you no more.

UNRULY GHOSTS Antipasti (Teaser), Full HD Video, 01:47 min

Photo credit: Michael Viola

Triple A is a theatrical performance that was shown as part of Unruly Ghosts Antipasti at Theater HochX, with Paul Hentze and Viviane Podlich as human strengths and Phoebe Lesch as a necromancer.

A character, Triple A, is assembled, accompanied by fragments of sound and song. Two puppeteers alias human strengths move her. Triple A enters into dialogue with the necromancer. Is she a sculpture? A battery? An AI? She wants to assist with everything and absorbs everything humans have ever devised - indeed, nature itself. The apple of knowledge becomes a snack for the strengths of man, and Triple A's eye is a globe. When the necromancer is also to be converted into a human strength, a battle begins... at the end of the performance Triple A's Eyeball is watching you no more.

UNRULY GHOSTS Antipasti (Teaser), Full HD Video, 01:47 min

Photo credit: Michael Viola